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Manuela Generali
Switzerland, 1948

 


Manuela Generali produces paint in his studio surrounded, accessed, gripped by two forces almost obsolete if we look at ways of being and doing of many artists on the scene today: the uncertainty of choice for someone who does not paint on a particular system or decisive speech, and the painter of the spring flow is leaving from the episodes of his personal history and then hide it in his paintings.


 
 
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