Gustavo Monroy
Mexico City, 1959

For several years he devoted himself to engraving on wood (still practicing), and later to painting, which was formed largely self-taught. His work seeks to reflect the realities of today's world through the use of religious imagery and self-portrait.

Over several years he has developed iconographic research journals with media images that are represented in the violent events around the world. With these images has been developed a parallel and similarities with their proposals plastic in which relationships are made explicit composition with collections of art history journals.