Andres Amaya
Mexico City, 1965

Considered one of the representatives of the Acid Neo Pop, his work, beyond the design of utilitarian objects, is the theme of eroticism, religion or politics in a subtle and gentle way with an ingredient of humor, but equally profound and incisive. With his work the linguistic possibilities amalgamate, merge with erotic imaginary improbable, paradoxical or whimsical, but in the end as the origin of the erotic itself,  diluting the vision of a rigid, raw and iclemente "erotic world". Sexual undoubtedly. Pionner and provocative.