Nadja Lozano
Mexico City, 1980

Artist that joins the great traditions of landscape and abstraction.

Proposes that the viewer dialogue with his painting "see the landscape to see himself" and the abstract as a mirror that allows this observation. The forms used to reach his paintings are not based on a reference of reality but an inward contemplation. Nadja's paint palette expresses the melancholy water through lines, spots and shades: plastics values ​​refer to the qualities of water and its behavior.